![]() ![]() Because it's not a matter of believing in love or not. And eventually you'll know that it's not an irony that the author meant with the title because we've been living in a new millennium of novel humanism and love – something, if we haven't sensed yet, will be gradually more and more tangible to the generations to come. Hyper sensitive people pay attention to details and a word or a phrase sticks to their mind, and the brain analyses them until they reach a catharsis. You might be thinking there must be something wrong with the characters: in relation to the present-day setting, whether they are plausible enough, endemic or universal – a waste of time. How? It has to do with European drama school and cinematography, so strikingly different to American-series-washed brains. An explosion of young talent that you'd want to see more and more of them, you'd want to see them winning Oscars – Paul Mascal and Daisy Edgar-Jones! Why? (said with that peculiar Irish accent) Because you'll believe they are playing themselves in Normal People. ![]()
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